Image Source : ANI News
On the world's largest inhabited river island, Majuli, a silent revolution is underway in its midst. Mridul Barua, a thirdgeneration manuscript artist, is carrying on a 600yearold tradition once the pride of saintreformer Srimanta Sankardeva and the Ahom monarchs.
Highlights of Artistic Revival of Majuli
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Manuscript painting began in 1467 as a religious narrative genre in the form of Agarwood bark scrolls and natural pigments like hengul (mercury oxide) and haital (arsenic sulfide).
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Barua's art is still entirely handmade: bark is dried in the sun, soaked, polished with shells, smeared with sticky rice and dal paste, and then painted.
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It provided the art with a Geographical Indication (GI) tag, boosting tourism and popularity across India.
Legacy and Learning
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Mridul teaches over 200 students in the GuruShishya Parampara, introducing younger students to acrylics and progressing them to the ancient method.
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It has been displayed all over the nation and even at the Ram Mandir in Ayodhya.
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The manuscripts generally illustrate epics such as the Ramayana and Mahabharata, but also include medicinal knowledge, astrology, and philosophy.
Cultural Impacts and Future Prospects
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Researchers and visitors visit Barua's workshop to learn and purchase these special pieces, encouraging livelihood and conservation.
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With over 1,000 students, Barua's vision is clear: make the art endure a generation beyond his own.
Sources: ANI News, WebIndia123, Sentinel Assam, Times of India, Sahapedia, The Cultural Heritage of India, Organiser.org
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