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A Landmark Moment for Indian Cinema
Bimal Roy’s 1953 masterpiece Do Bigha Zamin is set to make a grand return to the global stage with a 4K restored screening at the 2025 Venice Film Festival. This marks a significant milestone for Indian film heritage, as the restoration brings new life to a work that has shaped generations of filmmakers and cinephiles.
Key Highlights
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The 4K restoration will have its world premiere at Venice, coinciding with what would have been Bimal Roy’s 116th birthday.
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The restoration is a collaborative effort by the Film Heritage Foundation, The Criterion Collection, and Janus Films, using original negatives from the National Film Archive of India and the British Film Institute.
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Members of Bimal Roy’s family, including his daughters Rinki Roy Bhattacharya and Aparajita Roy Sinha, and son Joy Bimal Roy, will attend the premiere alongside Shivendra Singh Dungarpur, Director of the Film Heritage Foundation.
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Do Bigha Zamin is featured in the Venice Classics section, which spotlights restored cinematic masterpieces from around the world.
The Film’s Enduring Legacy
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Inspired by Vittorio De Sica’s Bicycle Thieves, the film tells the story of Shambhu, a small farmer forced to migrate to the city to save his land, capturing themes of displacement, resilience, and social injustice.
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The film was the first Indian movie to win the Prix International at Cannes in 1954, also earning accolades at Karlovy Vary and sweeping the inaugural Filmfare Awards for Best Film and Best Director.
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The restoration process took over three years, ensuring the film’s visuals and sound are preserved for future audiences.
Why This Screening Matters
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The Venice premiere is a celebration of Indian neorealism and Bimal Roy’s humanist vision, which continues to influence filmmakers worldwide.
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The event highlights the importance of film preservation and the global recognition of Indian cinema’s artistic achievements.
Looking Ahead
With its 4K screening at Venice, Do Bigha Zamin is poised to inspire a new generation, reaffirming its place as a cornerstone of world cinema.
Sources: The Statesman, Bollywood Hungama, Firstpost, Times of India, Labiennale.org, Deccan Herald, NewKerala, Hindustan Times
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